News

THE THACKERY T. LAMBSHEAD CABINET OF CURIOSITIES IS OUT!

2011-07-07T01:57:00.004Z

“The narrative scope and stellar assemblage of writers and illustrators…makes this a book that will be absolutely cherished by fantasy, science fiction, and steampunk afficionados alike.” – Paul Goat Allen, B&N Book Club

---An LA Times recommended summer reading selection
---Features over 60 pieces of art, including four originals by Hellboy’s Mike Mignola
---All-new Fiction from top creators in fiction, comics, and the art world

After the death of Dr. Thackery T. Lambshead at his house in Wimpering-on-the-Brook, England, a remarkable discovery was unearthed: the remains of an astonishing cabinet of curiosities. Many of these artifacts, curios, and wonders related to anecdotes and stories in the doctor's personal journals. Others, when shown to the doctor's friends, elicited further tales from a life like no other. Thus, in keeping with the bold spirit exemplified by Dr. Lambshead and his exploits, we now proudly present highlights from the doctor's cabinet, reconstructed not only through visual representations but also through exciting stories of intrigue and adventure. A carefully selected group of popular artists and acclaimed, bestselling authors has been assembled to bring this cabinet of curiosities to life.

An independent follow-up to the cult classic The Thackery T. Lambshead Pocket Guide to Eccentric & Discredited Diseases, a Hugo Award and World Fantasy Award finalist…

Contributors include Holly Black, Greg Broadmore, Ted Chiang, John Coulthart, Rikki Ducornet, Amal El-Mohtar, Minister Faust, Jeffrey Ford, Lev Grossman, N.K. Jemisin, Caitlin R. Kiernan, China Mieville, Mike Mignola, Michael Moorcock, Alan Moore, Garth Nix, Naomi Novik, James A. Owen, Helen Oyeyemi, J.K. Potter, Cherie Priest, Ekaterina Sedia, Jan Svankmajer, Rachel Swirsky, Carrie Vaughn, Jake von Slatt, Tad Williams, Charles Yu, and many more.

Order your copy from Amazon- http://www.amazon.com/Thackery-T-Lambshead-Cabinet-Curiosities/dp/0062004751/

Urbanomic is having a Summer Auction!!!

2011-05-27T03:15:00.006Z

All proceeds of the auction go to support Urbanomic's journal Collapse. The lots – including original work and exclusive signed editions – have been donated by artists, musicians and writers who have contributed to Collapse or been otherwise involved in Urbanomic projects over the past few years, including:

Kristen Alvanson, Amanda Beech, Jake and Dinos Chapman, Cut Hands, Detanico and Lain, FIELDCLUB, Renée Green, Florian Hecker, Kröõt Juurak & Mårten Spångberg, Nick Land, Sam Lewitt, China Miéville, Pamela Rosenkranz, Conrad Shawcross, Keith Tilford

The PDF catalogue, which contains images and details of all works, with links to higher resolution images, and details of how to bid can be found online at http://www.urbanomic.com/auction.php

The Auction ends on June 24 so get you bids in now and support this great journal.

THE THACKERY T. LAMBSHEAD CABINET OF CURIOSITIES

2011-02-04T08:37:00.007Z

My artwork will be included in THE THACKERY T. LAMBSHEAD CABINET OF CURIOSITIES Exhibits, Oddities, Images, & Stories from Top Authors and Artists. Edited by Ann & Jeff VanderMeer, the book comes out in June from Eos Books, but you can pre-order it from Amazon now. There are a number of really great writers and artists included (see description and the table of contents below).

A stunning find beneath the famed Dr. Thackery T. Lambshead's house years after his death: a basement space lost under a collapsed floor, in which were found the remains of a remarkable cabinet of curiosities. Containing artifacts, curios, and keepsakes collected over Dr. Lambshead's many, many decades, the cabinet of curiosities took over a year to unearth, document, and catalog. Thus, in keeping with the bold spirit exemplified by Dr. Lambshead and his exploits, we are now proud to present highlights from the doctor's cabinet, reconstructed not only through original visual representations, but also through exciting stories of intrigue and adventure. (Sumptuous title pages provided by John Coulthart.)

Introduction: The Contradictions of a Collection, Dr. Lambshead's Cabinet (by the Editors)

Holy Devices and Infernal Duds: The Broadmore Exhibits

The Electric Neurheographiton - Minister FaustSt. Brendan's Shank - Kelly Barnhill

The Auble Gun - Will Hindmarch

Dacey's Patent Automatic Nanny - Ted Chiang

Honoring Lambshead: Stories Inspired by the Cabinet

Threads - Carrie Vaughn

Ambrose and the Ancient Spirits of East and West - Garth Nix

Relic - Jeffrey Ford

Lord Dunsany's Teapot - Naomi Novik

Lot 558: Shadow of My Nephew by Wells, Charlotte - Holly Black

A History of Dunkelblau's Meistergarten - Tad Williams

Microbial Alchemy & Demented Machinery: The Mignola Exhibits

Addison Howell and the Clockroach - Cherie Priest

Roboticus the All-Knowing - Lev Grossman

Shamalung (The Diminutions) - Michael Moorcock

Pulvadmonitor: the Dust's Warning - China Miéville

The Miéville Anomalies

The Very Shoe - Helen Oyeyemi

The Gallows-Horse - Reza Negarestani

Further Oddities

The Thing in the Jar - Michael Cisco

The Singing Fish - Amal El-Mohtar

The Armor of Sir Locust - Stepan Chapman

A Key to the Castleblakeney Key - Caitlín R. Kiernan

Taking the Rats to Riga - Jay Lake
The Book of Categories - Charles Yu

Objects Discovered in a Novel Under Construction - Alan Moore

Visits & Departures

1929: The Singular Taffy Puller - N.K. Jemisin

1943: A Brief Note Pertaining to the Absence of One Olivaceous Cormorant, Stuffed - Rachel Swirsky

1963: The Argument Against Louis Pasteur - Mur Lafferty

1972: The Testimony of a Respected Lichenologist - Ekaterina Sedia

1995: Kneel - Brian Evenson

2000: Dr. Lambshead's Dark Room - S.J. Chambers

2003: The Pea - Gio Clairval

A Brief Catalog of Additional Items, Featuring Micro-Fictions by:

Hugh Alter, Charlie Jane Anders, Julie Andrews, Christopher Begley, Jayme Lynn Blaschke, Nickolas Brienza, Tucker Cummings, Kaolin Imago Fire, Jess Gulbranson, Jen Harwood-Smith, Willow Holser, Rhys Hughes, Incognitum, Paul Kirsch, Michael J. Larson, Therese Littleton, Graham Lowther, Claire Massey, Tony Mileman, Adam Mills, Annalee Newitz, Ignacio Sanz, Steven M. Schmidt, Grant Stone, Norman Taber, Brian Thill, Nick Tramdack, Nicholas Troy, Tom Underberg, Horia Ursu, William T. Vandemark, Kali Wallace, Tracie Welser, Amy Willats, Nadine Wilson, and Ben Woodard.

Over 60 images by: Aeron Alfrey, Kristen Alvanson, Rikki Ducornet, Greg Broadmore, John Coulthart, Scott Eagle, Vladimir Gvozdariki, Yishan Li, Mike Mignola, Jonathan Nix, Eric Orchard, James A. Owen, Ron Pippin, J.K. Potter, Eric Schaller, Ivica Stevanovic, Jan Svankmajer, Sam Van Olffen, Myrtle von Damitz, III, and Jake von Slatt.

NEW YORK TO LONDON AND BACK – The Medium of Contingency

2011-01-18T09:00:00.004Z

NEW YORK TO LONDON AND BACK – The Medium of Contingency

January 18 – February 19, 2011

An exhibition and event collectively organized by Thomas Dane Gallery (London), Miguel Abreu Gallery (New York) and the vanguard independent philosophy and art institute Urbanomic (based in the UK) on the thought of contingency.

Artists in the exhibition include Kristen Alvanson, Hans Bellmer, Liz Deschenes, Thomas Eggerer, Rachel Harrison, Gareth James, Alison Knowles, Sam Lewitt, Scott Lyall, R. H. Quaytman, Eileen Quinlan, Raha Raissnia, Jimmy Raskin, Blake Rayne, Pamela Rosenkranz, Pieter Schoolwerth, Amy Sillman and Cheyney Thompson.

The event highlights of one of the most significant shifts in philosophical thought and contemporary art practice in the 21st century, that is the thought of contingency in artistic reflection/production and in new philosophies of realism. Artists whose works are exhibited in this show exemplify various engagements with the thought of contingency, a speculative imperative that marks a transition from different forms of artistic experimentation driven by meaning-dominated metaphysics of calculation and chance to alternative rigorous engagements with the reality of contingency and its formidable role not only in art practice and philosophy but also in ecological, political, technological and economic domains.

As part of the event, a discussion between Elie Ayache (market theorist), Reza Negarestani (philosopher), Robin Mackay (philosopher), Matthew Poole (curator), Scott Lyall (artist) and Miguel Abreu (gallerist and art theorist) will be held on Wednesday 19 January, 6-8pm atThomas Dane Gallery located at 11 Duke St., St James's, London SW1Y 6BN. Nearest Tube: Green Park.

The event is free and all are welcome: the event is not ticketed but seating is limited, so do arrive promptly to avoid disappointment!

For more information check the following sites:

http://www.thomasdane.com

http://www.miguelabreugallery.com

http://www.urbanomic.com/

dESIRE Gloss: A Specimen in Glossator

2010-09-28T12:17:00.004Z

Glossator: Practice and Theory of the Commentary Vol 3 has just been published and is also available online: http://ojs.gc.cuny.edu/index.php/glossator/issue/view/45.

Included in the volume is a specimen of dESIRE Gloss, a collaborative commentary on a series of 100 photographs drawn from my dESIRE Project. Befitting the polysemy of the word gloss, dESIRE Gloss is designed to demonstrate the amorous relations between photography, commentary, and desire. This specimen includes gloss from Nicola Masciandaro and Scott Wilson two of the commentators in the collaborative.

Articles in the volume:

The Night Vigil of Shen Zhou J. H. Prynne

The Rhetoric of Commentary Carsten Madsen

Fourty-Four Ways of Looking at Marginalia Louis Bury

A Curious Mistake Concerning Cranial Sutures in Aristotle's Parts of Animals, or, the Use and Abuse of the Footnote Barbara Clayton

Kinesis of Nothing and the Ousia of Poetics (Part Review Essay, Part Notes on a Poetics of Auto-Commentary) Daniel C. Remein

dESIRE Gloss: A Specimen Kristen Alvanson, Nicola Masciandaro, Scott Wilson

THE REAL THING September 3, 2010 at Tate Britain

2010-09-02T11:42:00.001Z

Presented by Urbanomic featuring contemporary sound, video and sculptural work, and other interventions exploring the emerging philosophical paradigm of Speculative Realism and its impact on contemporary art practice. Featuring work by artists Amanda Beech, William Bennett, Mikko Canini, John Gerrard, Florian Hecker and Pamela Rosenkranz.

Also part of the event will be a curatorial intervention in which I have also been involved (in collaboration with China Miéville, Robin Mackay, Eugene Thacker, Reza Negarestani and others): The entire collection of paintings in Room 9 which is currently themed Art and the Sublime has been relabeled according to the paradigms of speculative / weird realism, transcendental nihilism and other emerging philosophical lines of inquiry.

For more details visit Urbanomic’s website: http://www.urbanomic.com/event-uf12-details.php.

Update on Protocol Architecture

2010-08-06T01:09:00.005Z

I posted earlier about the Protocol Architecture Competition. Geoff Manaugh from BLDGBLOG, one of the other judges, has written more about the Protocol Architecture competition and the group’s other projects (guided by v. progressive thinker Ed Keller). Check out Geoff’s post DOCUMENTS, MAPS, AND FILES OF A FICTIONAL ARCHITECTURE. He has included some images from the publication Protocol Architecture – Recovering Berlin (Danil Nagy, Yvual Borochov, Lisa Ekle) on his blog. You can download the book here. But the printed book is very nice if you can buy it (order here).

Transmission Annual: Hospitality

2010-07-11T06:52:00.007Z

Transmission Annual: Hospitality has just been published. Hospitality edited by Michael Corris, Jaspar Joseph-Lester and Sharon Kivland is in conjunction with their ongoing Transmission series of artists’ talks organized by Sheffield Hallam University in association with Site Gallery. For more information check here: http://transmission.uk.com/.

The annual includes clusters of ‘friends’ who asked each other to participate. Contributors include: Graham Allen, Kristen Alvanson, Amanda Beech, Jerome Carroll, Clegg & Guttmann, Kris Cohen, Clare Connors, Nigel Cooke, Michael Corris, Eileen Costa, Juan Cruz, Meritxell Duran, Tim Etchells, Marcia Farquhar, Rachael Garfield, Charlie, Gere, Judith Goddard, Laura Heit, Vit Hopely, Nancy Hwang, Alfredo Jaar, Jaspar Joseph-Lester, Ahuvia Kahane, Sharon Kivland, Esther Leslie, Yve Lomax, Juliet Flower MacCannell, Robin Mackay, Marko Maetamm, Victor Mazin, Penny McCarthy, E. Elias Merhige, Forbes Morlock, Reza Negarestani, Hayley Newman, Dany Nobus, Haralampi G. Oroschakoff, John W. P. Phillips, Cesare Pietroiusti, Jeanne Randolph, Antonio Santos, Javier Santos, Naomi Segal, Roy Sellars, Blake Stimson, Thomson & Craighead, Irene De Vico Fallani, Rodrigo Villas, Nina Wakeford, Sarah Wood.

Transmission Annual: Hospitality

Edited by Michael Corris, Jaspar Joseph-Lester, Sharon Kivland

ISBN: 978-1-906441-24-1

Artwords Press London

Available Through: http://www.artwords.co.uk/acatalog/Artwords_Press.html

Open Space in Singapore

2010-06-16T11:15:00.005Z

My dESIRE Project is currently included in Open Space an online and on-site exhibition exploring the theme of Open Space curated by Patricia R. Zimmerman, Nikki Draper and Sharon Lin Tay at Nanyang Technological University, Singapore with Wenjie Zhang. Open Space will be up during the International Communication Association (ICA) Conference in Singapore from June 22-26, 2010. The exhibition is shown as the digital arts exploration of the conference theme Im/Material.

Other artists/filmmakers participating in the exhibition include:

Vaibhau Bhawsar

Andreas Zingerle

Myriam Thyes

Babak Fakhamzadeh

Reclaim Land: Justin Zhuang, Sam Kang Li, Wong Shu Yun, Serene Cheong

Nguyen Bich Thuy

Alessandro Perini

15 Malaysia: Ho Yuhang, Yasmin Ahmad, Amir Muhammad, Linus Chung, Liew Seng Tat, Desmond Ng, Kamal Sabran, Tan Chui Mui, Woo Ming Jin, James Lee, Benji & Bahir, Johan John, Khairil Bahar, Nam Ron, Suleiman Brothers

Gebhard Sengmüller

For more information check here: http://www.ica2010.sg/openspace/view.html

Anonymous Materials Opening

2010-06-03T10:56:00.010Z

My installation Objects 302 (made up of documents related to my chapter in Cyclonopedia) and Spell Map drawing A Thousand Ways to Die are included in Anonymous Materials an exhibition curated by Pamela Rosenkranz at Binz39 in Zürich from 4th June to 4th July, 2010 /Opening hours Thursday - Saturday, 2 - 6 pm.

Opening 6 pm Thursday / June 3rd/ 2010/ Binz39 /Sihlquai 133, 8005 Zürich

Including contributions by:

Kristen Alvanson, Kim Seob Boninsegni, Pavel Büchler, Ida Ekblad, Ulrik Heltoft, Marie Koelbaek lversen, Fabian Marti, Rachel Mason, Ketuta Alexi Meskhishvili, Lucy Pawlak, Martin Soto Climent, Mai-Thu Perret, Urs Zahn

“Anonymous Materials” brings together artists who use very different approaches in their practices. But its presentation of their works draws attention to a particular form of complicity common to them, and unfolds its consequences for our understanding of art-production. As the title indicates, the exhibition focuses on the autonomy of those materials which constitute an elemental component in the process of creating art. The show therefore explores art as a material-driven process of production so as to raise the question: How does the autonomy or contingency of the artists’ material influence or interfere with the artwork itself? In examining the conditions of art production, the show emphasizes the dynamics and ambivalence of the concept of materiality in artistic production, rather than deconstructing the meaning of the artwork by thematizing its material substrate.

Neither does this examination of materiality entail a fashionable celebration of those aesthetic effects commonly associated with processual tropes of artistic production (the presentation of raw materials, open-endedness, and so on). It does not rely upon the unfinished status of an artwork as a form of process-oriented practice. It could be said that such artistic sensibilities only exacerbate or obfuscate the enigma of materiality, semantically supercharging materiality in a way that can only be grasped by an audience hungry for meaning. Therefore, these processual tropes reestablish the authority of a privileged sentience whose correlation with meaning is ultimately a complete dismissal of both independency and contingency of materials in art production. As opposed to this approach, the artists in this show were chosen because their practices involve clear decisions towards the problems mentioned. In tracking the traces of production in the artwork, this group show could even be understood as a critical response to a current tendency to be too “sensitive” to materials; a tendency that could further be defined as an eclectic approach to the visual reminiscence of conceptual art.

The title of the show is taken from Iranian philosopher Reza Negarestani’s book Cyclonopedia: Complicities with Anonymous Materials. It refers – in an open manner – to the book’s take on the problem of ‘inauthenticity’ whereby the subjective identity of the author is repeatedly overturned and undermined by the intervention of references, materials and narrative processes which enjoy autonomy and contingent complicities of their own. The show opens up, unfolds and reinvents this problematic embracing of materiality by evoking the randomness of functionality attributed to artists’ materials and allowing a multiplicity of relations between the artwork and its arbitrary context. Systematically blocking the tendency for a ‘higher meaning’ to emerge, the show resolutely focuses on the active, contingent role of the material conditions of the artwork. The studio-like installation itself explores the process of creating art in its very contingent and disruptive character.

Protocol Architecture - Design for the Speculative Future

2010-04-30T06:23:00.008Z

I had fun judging Protocol Architecture's [Recovering Berlin] competition. For more information on the competition and the entries check here: http://protocolarchitecture.wordpress.com/ Also check back soon for the announcement of the winning entries.

Protocol Architecture is a group of researchers, artists and architects based in New York City that investigates potentials for future design through the creation and analysis of hyper-fictional documents. These document sets create evidence for future scenarios that string together a specific history of political, social and technological developments.

A discussion at Columbia University GSAPP with Mark Collins of Proxy, Geoff Manaugh of BLDGBLOG and Ed Keller of aum took place to discuss the [Recovering Berlin] entries and remote responses were posted on the site.

List of Jurors:
Kristen Alvanson, artist
Juan Azulay, Matter Management
David Benjamin, The Living
Mark Collins, Proxy
Eric Ellingsen, Species of Space and Olafur Eliasson Workshop
Bradley Horn, CCNY
Ed Keller, a|Um
Jamie Kruse, smudge studio
Geoff Manaugh, BLDGBLOG
Reza Negarestani, author of Cyclonopedia
Michael Rotondi, RoTo Architects
Roland Snooks, Kokkugia

Images of Spell Chador no. 98 in Repurposes exhibition

2010-04-30T05:54:00.003Z

Repurposes

2010-03-21T03:33:00.007Z

One of my Spell Chadors is in Repurposes.

Repurposes is an exhibition representing themes of reexamination and reengagement of personal and public convictions. In a time of historic change and challenge—politically, economically, technologically—how do we remake our world and ourselves? The exhibition presents 31 artists working in a variety of media—collage, sculpture, video, web, artist books, graphic design, assemblage, and more—from the U.S., U.K., Italy, Germany, Iran, and Spain. Curated by Kenneth FitzGerald, Associate Professor of Art, Old Dominion University, and Garland Kirkpatrick, Associate Professor of Art, Loyola Marymount University. A joint project of Ephemeral States and Helvetica Jones.

Baron and Ellin Gordon Galleries at Old Dominion University

4509 Monarch Way, Norfolk, VA

Saturday, March 20 through Sunday, April 18, 2010 (Opening reception: Saturday, March 20 7-9pm)

Cosmic Drapery Flag Update

2010-03-03T03:26:00.006Z

An appliqué from Flag 5 of the Cosmic Drapery Flag project.

To date 109 women from Iran have added their own appliqués to six Cosmic Drapery Flags. For more images and information on this project check here: http://cosmicdraperyflags.blogspot.com/ and http://www.kristenalvanson.com/new/drapery-flags.html.

Collapse VI: Geo/philosophy

2010-02-01T02:03:00.003Z

The new issue of Collapse is now available. I have a couple photos in the issue which accompany Nicola Masciandaro's 'Becoming Spice: Commentary as Geophilosophy' essay.

Contributors to the volume include: Charles Avery, Angela Detanico and Rafael Lain, Stephen Emmott, Owen Hatherley, F I E L D C L U B, Iain Hamilton Grant, Renée Green, Gilles Grelet, Manabrata Guha, Nicola Masciandaro, Timothy Morton, Greg McInerny, Robin Mackay, Reza Negarestani, Drew Purves, F.W.J. Schelling, Eyal Weizman, Rich Williams.

Following Collapse V's inquiry into the legacy of Copernicus' deposing of Earth from its central position in the cosmos, Collapse VI: Geo/philosophy poses the question: How should we understand the historical and contemporary bond between philosophical thought and its terrestrial support?

Collapse VI: Geo/philosophy begins with the provisional premise that the Earth does not square elements of thought but rather rounds them up into a continuous spatial and geographical horizon. Geophilosophy is thus not necessarily the philosophy of the earth as a round object of thought but rather the philosophy of all that can be rounded as an (or the) earth. But in that case, what is the connection between the empirical earth, the contingent material support of human thinking, and the abstract 'world' that is the condition for a 'whole' of thought?

Urgent contemporary concerns introduce new dimensions to this problem: The complicity of Capitalism and Science concomitant with the nomadic remobilization of global Capital has caused mutations in the field of the territorial, shifting and scrambling the determinations that subtended modern conceptions of the nation-state and territorial formations. And scientific predictions present us with the possibility of a planet contemplating itself without humans, or of an abyssal cosmos that abides without Earth - these are the vectors of relative and absolute deterritorialization which nourish the twenty-first century apocalyptic imagination. Obviously, no geophilosophy can remain oblivious to the unilateral nature of such un-earthing processes. Furthermore, the rise of so-called rogue states which sabotage their own territorial formation in order to militantly withstand the proliferation of global capitalism calls for an extensive renegotiation of geophilosophical concepts in regard to territorializing forces and the State. Can traditions of geophilosophical thought provide an analysis that escapes the often flawed, sentimental or cryptoreligious fashions in which popular discourse casts these catastrophic developments?

Continuing to combine and connect work from different disciplines and perspectives in innovative ways, this new volume of Collapse brings together philosophers, theorists, eco-critics, leading scientific experts in climate change, and artists whose work interrogates the link between philosophical thought, geography and cartography. This multiplicity of engagements makes Collapse VI a philosophically-rich yet accessible examination of the present state of 'planetary thought'.

Visit Collapse's website at www.urbanomic.com to purchase a copy. A PDF preview of the editorial introduction to the volume is also available on the website.

dESIRE Update

2009-09-22T07:04:00.008Z

dESIRE #003100

Recent sales and a trade bring the price of one unit of desire (100 intangible desires and their photographic representations) up from $200 to $500. The last increase was in October 2008 when the price was raised from $125 to $200 due to global inflation and demand. There are still units available and I can always make more ;)

For more information on the dESIRE Project, please check here:

http://www.kristenalvanson.com/new/market.html

2009 Incheon Women Artists’ Biennale

2009-09-22T06:24:00.013Z

I participated in the Women Artists’ Archive Project for 2009 Incheon Women Artists’ Biennale, Incheon, Korea in August. For more information about the Biennale, check here: h ttp://iwabiennale.org/2009_new/eng/main/main.php

Or here: http://www.brooklynrail.org/2009/09/artseen/2009-incheon-women-artists-biennale

Vilnius Update

2009-05-17T05:56:00.007Z

Images from the 5th International Artist’s Book Triennial Vilnius 2009 in Vilnius, Lithuania

The triennial includes 132 works of artists from 34 countries around the world including Jordan, Pakistan, Iran, Mexico, Cuba, Singapore, Iceland, South Africa, Canada and others.

A hand-binded catalogue has been created in an addition of 500 (all catalogues are numbered).

My spell text book

Kestutis Vasiliunas' Pr 32,29 book behind spell book

Wakilur Rahman's book (Bangladesh)

For more information check here: http://www.bernardinai.lt/index.php?url=articles%2F95034

5th International Artist’s Book Triennial Vilnius 2009

2009-04-27T05:12:00.004Z

Gallery "Arka", Vilnius, Lithuania
April 30 – May 16, 2009

Opening of the exhibition will take place on April 30th 2009, 6 p.m.

Gallery "Arka", Vilnius
Ausros vartu Str. 7, LT–01129
Vilnius, Lithuania

My Text Spell Book is included in the 5th International Artist's Book Triennial Vilnius 2009, the theme of which is “Text”. The Book Triennial will be on exhibit in multiple countries throughout 2009. The first showing was held at the Leipzig Book Fair in March.

1st International Roaming Biennial of Tehran: BELGRADE

2009-03-31T06:34:00.006Z

The 1st International Roaming Biennial of Tehran's next stop is Belgrade:

URBAN JEALOUSY IN BELGRADE

3-10 APRIL 2009
Urban Jealousy
the 1st International Roaming Biennial of Tehran
3rd station: Belgrade, 3rd -10th of April 2009
Curated by Serhat Koksal and Amirali Ghasemi
Belgrade Contact : Isidora Krstic

For more information check here: http://www.biennialtehran.com/

Exhibition in Leipzig Book Fair

2009-03-09T12:20:00.002Z

My Text Spell Book will be included in the 5th International Artist's Book Triennial Vilnius 2009, the theme of which will be “Text”.

The Book Triennial will be on exhibit in multiple countries throughout 2009. The first exhibition will be launched at:

5th International Artist's Book Triennial Vilnius 2009

Exhibition in Leipzig Book Fair

12-15 of March, 2009

Iakh - Internationale Ausstellung für Künstlerbücher und Handpressendrucke

HALLE 3, H 501

Leipzig, Germany

Then it continues on to Vilnius, Lithuania in April (more info to follow).

ITCH MAGAZINE

2009-03-07T07:36:00.004Z

The third issue of ITCH Magazine, addressing and exploring the $ symbol, is now out. Itch is a South African born online/offline periodical.

I have a short photo-text sequence in the issue on what you can buy in Iran for a dollar.

You can check it out here: http://www.itch.co.za/?article=102

New Humanist Issue 124 is now available

2009-01-25T06:57:00.008Z

My photos accompany an article on Iran entitled ‘Before the Dawn’ by Nasrin Alavi in the current issue of New Humanist (issue 124 Jan/Feb 2009). Issue includes:

Editorial: Fine Lessons

Funny how atheists enjoying themselves can be so threatening to believers

Cover Stories

Power Struggle

For decades, it was the scourge of the environmental movement. But now, discovers Angela Saini, the greens are going nuclear

Features

In the burning house

In 2005 Russian artist Anna Alchuk was publicly vilified and put on trial for her involvement in the Caution:Religion! exhibition. Three years later she drowned herself. Her husband, the philosopherMichail Ryklin, reads her diaries to find out why

Bad Faith Awards 2008

Following a tough campaign and a hard-fought election, we can finally announce last year's most scurrilous enemy of reason

Before the dawn

Thirty years after the revolution consumerism and political apathy dominate Iran. But a new generation may change that, says Nasrin Alavi

Days of atonement

Visiting Israel just weeks before the current Gaza conflict, Sally Feldman found that rising religious bigotry is one of the biggest barriers to peace

Unsafe havens

The Government is planning tougher penalties for men who use trafficked prostitutes. But who is helping the women themselves? Rahila Gupta uncovers a distributing trend

True disbelievers

Being faith-less is no excuse for rewriting history, says Theodore Dalrymple

Regulars

Endgame: One track mind

Laurie Taylor hopes he’s not a running joke

Diary: Trump cards

Our religions game seemed to annoy everyone. Result! says Christina Martin

Culture

Darwin's journey

For poet Ruth Padel the 200th anniversary of the birth of the great scientist is more than a historical milestone, it’s a family celebration

Book Reviews

The Weight of a Mustard Seed by Wendell Steavenson

Nina Power considers complicity in Iraq

Three-Letter Plaque by Johnny Steinberg

Andrew Mueller enjoys some journalism with a human touch

The Strangest Man by Graham Farmelo

James Randerson encounters a strange legend of physics

Teenagers: A Natural History by David Bainbridge

Bill Thompson gets down with the kids

Once on a Moonless Night by Dai Sijie

Philip Womack barely survives the tedium of a new Chinese novel

The Artist, the Philosopher and the Warrior by Paul Strathern

Brenda Maddox enjoys some Renaissance history

Check out it out here: http://newhumanist.org.uk/1947

FACELESS MUSIC

2009-01-01T07:17:00.004Z

Artist Jason Sweeney has made a 'silent film' of my flesh photos as part of his Faceless Music project. He is currently collating materials (recorded and/or written stories, sounds, noise, anecdotes, nightmares and confessionals about attempts at living a life online) and reworking them into an audio-museum project. The project is being assisted by the Australian Government through the Australia Council.

Check out Flesh Film here: http://ifnotforyouthenwho.blip.tv/#1629630

Serial Drapery

2008-12-07T07:32:00.002Z

Please visit my Cosmic Drapery Flags Blog: http://cosmicdraperyflags.blogspot.com/

Cosmic Drapery Flags is part of a series of inter-connected works in my Cosmic Drapery Project. Cosmic Drapery Flags is a collective project in which numerous women participate in creating hanging flags (each 90 cm wide by 119 cm long) made of heavy black crepe-like fabric on which nomadic fabric is appliquéd on to both sides of the flag by means of stitchery. These appliqués and their emerging stitches turn the black fabric into an ultimate entity of syncretic drapery.

This blog has been created to document the flags' development -- track the flags, show updated embroidery work and profile some of the women who have participated in the project.

2008-12-04T10:12:00.002Z

blütenweiss presents:

ANONYMOUS DRAWINGS #9

December 20 & 21, 2008

Opening: December 19th at 7 pm
Greeting: Sirgid Klebba

Opening hours: 12 - 7 pm
Kunstraum Kreuzberg / BethanienMariannenplatz 210997 Berlin, Germany tel.:0049(0)30/90298-1455U-Bahn Kottbusser Tor
more information:

www.bluetenweiss-berlin.de

1st International Roaming Biennial of Tehran Travels to Berlin

2008-11-17T05:39:00.002Z

The Roaming Biennial of Tehran is headed to Berlin, check below for information on the various events related to the biennial:

The 1st International Roaming Biennial of Tehran, Berlin
20 Nov.2008 - 7 Dec. 2008
Urban Jealousy in Berlin

Openings and Opening Performances:

20 Nov. WEST GERMANY
Skalitzer Straße 133 10999 Berlin
Exhibition Opening: 7pm (Music performance Starts at 8pm)

SONATA REC ( audiovisual performance )
[-HYPH-] ( live electronics )
ERFAN ABDI ( sound art )
DJ KOSTULAH ( post punk/ussian garage /centralasia electro )
VJ GENTRIFISUAL ( Goodzilla VS Badzilla )
BALLGARD ( Tehrani Free Funk Rock Band )

21 Nov. NEWYORCK IN BETHENIEN
Mariannenplatz 2, 10997 Berlin

Performance by EMANUELE RODO ,MATTEO ROVESCIATO ,DARIO FARIELLO ( Words ,Painting ,Sax, improvisation )
In front of bethanien Building at 5pm

Exhibition Opening: 7pm (Music performance Starts at 8pm)

UTKU TAVIL ( Audio Performance )
BIJAN MOUSAVI ( Acoustic rock )
GUDUBIK ( Experimental Dub Band )
KOSTJA PICUNDA 84 ( Cello and Electronics )
2/5 BZ ( Audio-gentrifisual Performance )
ARASH SALEHI aka THE11 ( Intelligent Techno / Bandar Beats )
BALLGARD ( Tehrani funk Rock band )
JUNKTION 'NASDIA' ( Dubstep to Orientalcore Dj Set)

22 nov. GALERIE WALLYWOODS
Kulturhaus Peter Edel, Berliner Allee 125, Weissensee, 13088 Berlin
Opening 6pm (music performance starts at 7pm)

BIJAN MOOSAVI/ARASH SALEHI/ERFAN ABDI (AV Performance )
JAVAD SAFARI / KAVEH KATEB (Electronic Folk ) +ARASH KHAKPOUR and FARID JAFARI (Visuals )
UGLY AMERICANS ( Wallywoods' Punk Funk )
BALLGARD ( Tehran Free Rock Band )
GUDUBIK ( Experimantal Dub Band )
FREE JAM Session with BIENNIAL TEHRAN BAND and Guests

23 nov. ICH ORYA
Oranienstraße 22 - 10999 Berlin
Opening:10 pm

BIENNIAL TEHRAN BAND (SUPRISE ACOUSTIC PERFORMANCE)
DJ NASE ( Kontra Oriental )

For more information on the Biennial check here: http://www.biennialtehran.com/

Umelec Magazine Issue 2/2008

2008-10-23T07:49:00.000Z

Umelec Magazine has published a review entitled ‘Unfolding the Middle East: Kristen Alvanson’s Nonad’ (by Robin Mackay) on my ‘nonad’ exhibition in their current Issue 2/2008. Umelec is based in the Czech Republic and is published in English, German, Spanish and Czech.

Mackay begins, “In his 1998 book on Leibniz, philosopher Gilles Deleuze proposed the figure of ‘The Fold’ as a way in which a philosophy of immanence might measure the multiplicity of the universe. If Being speaks in one voice, if we invoke no transcendent plane of organisation, then how can difference be articulated? Deleuze’s vision of folds-within-folds, which he discovers to be the reigning principle of the baroque, extends to labyrinthine structures enfolding infinite complexity (or implexity) without yielding to any form of transcendence. Kristen Alvanson, an American artist working in Iran, suggests that we read the Middle East, in all its obscurity, inscrutability and hybridity, in terms of such a topological model, as a fabric folded and refolded into a baffling surface where disparate elements abut unexpectedly and overlap each other in paradoxical fashion. Inversely, her recent work demonstrates how the multiple cultural codes at work in the region can be manifested through the folds of its fabrics…”

For more information on Umelec and where to purchase it check here: Umelec Magazine

For more information on work from my Cosmic Drapery Project, please visit a new section on my website which includes information on Nomadic Fabric Chadors, Spell Chadors, Cosmic Drapery Flags and Abjad-9. http://www.kristenalvanson.com/new/drapery.html

Pharmakon Library

2008-10-22T08:45:00.004Z

Pharmakon Library
Created + Curated by Christina McPhee
The project is produced in association with Silverman Gallery, San Francisco.
NY Art Book Fair, October 23-26, 2008
http://www.nyartbookfair.com

My work ‘Poison In/Poison Out’ will be included in Christina McPhee’s Pharmakon Library. Pharmakon Library is an ongoing series of graphic folios created and curated by Christina McPhee. The folios comprise a series of open works by artists who address, through image and/or text, the principle of critical reversability, or proximity of poison and cure. "Pharmakon" in Greek may mean antidote, recipe, poison, drug, spell, remedy, drug, talisman, gift and paint. Each folio consists of pigment jet archival prints by three artists. Each folio is produced as an edition of three. The scale of each folio images is 13 x 19 inches each (Super B). Print stock is Epson exhibition photographic paper and Niyodo washi; and printed with K13 Ultrachrome Epson pigment inks.

The project debut will occur at the New York Art Book Fair October 23-26, 2008, with the release of the initial folios in limited edition.

with invited contributions from artists
Kristen Alvanson, Bertien van Manen, Naeem Mohaiemen, Neal Robinson, Kevin Hamilton, Mickey Smith, Elin Lennox, Dave Iseri, and Christina McPhee.

set one: spell
Elin Lennox, Mickey Smith, Neal Robinson
set two: paint
Naeem Mohaiemen, Dave Iseri
set three: recipe
Bertien van Manen, Kevin Hamilton
set four: antidote
Kristen Alvanson, Christina McPhee

For more information check:
pharmakon folio documentation pdf

click-through thumbnail index (images only)

dESIRE Update

2008-10-13T09:56:00.002Z

dESIRE #003538

Due to global inflation and demand the price of one unit of desires has been increased from $125 to $200. The last increase was in March 2008 when the price was increased from $100 to $125.

For more information on my dESIRE Project, please check here: http://www.kristenalvanson.com/new/market.html

Specialten Magazine issue 22

2008-09-28T07:02:00.003Z

Specialten the bi-monthly publication, has reprinted my 'Arbor Deformia' article and photography which first appeared in Collapse Vol. 4 in their new Issue 22. Along with my article, the magazine has also printed an interview on Collapse with editor Robin Mackay.

Issue 22 is the third of the hardback editions, contains a DVD disc of interviews, documentaries, art Installations, short films and music videos. This is accompanied by 56 full color pages containing text and photography relevant to the DVD. Each issue also contains a separate Ltd edition print commissioned by an artist. In this issue a Ltd. Edition Print by Irena Zablotska.

Issue 22 includes:
Bruce Webber - Film Interview
Yayoi Kusama - Documentary
Arbor Deformia – Collapse - Article
The Last Shadow Puppets - Film interview
First Place - Short Film
The Notwist - Music Video
Claire De Rouen
meet Micachu - Specialten Session
Ana Begins - Film Interview
Sigur Rós - Music Video
Fear{s} Of The Dark - Film Preview
Cut Copy - Music Video
Bon Iver - Music Video
The Object - Short Film
Blindness Of The Woods - Short Film
Closing Time - Documentary
Puppet Boy - Short Film
Drift - Short Film
and more...

For more information, check here: http://www.specialten.com/issues/22/Arbor_Deforma_Collapse.html .

CYCLONOPEDIA

2008-09-09T07:57:00.005Z

CYCLONOPEDIA the theory-fiction work of the Iranian philosopher Reza Negarestani has just been released by re.press and is now available in bookstores and online. I have written the opening narration chapter and designed conceptual diagrams for the book. More information below…

"Incomparable. Post-genre horror, apocalypse theology and the philosophy of oil, crossbred into a new and necessary codex." – China Miéville, author of Perdido Street Station

"Reading Negarestani is like being converted to Islam by Salvador Dali." – Graham Harman, author of Guerrilla Metaphysics: Phenomenology and the Carpentry of Things

CYCLONOPEDIA is a theory-fiction by Iranian philosopher and writer Reza Negarestani. Hailed by novelists, philosophers and cinematographers, Negarestani's work is the first horror and science fiction book coming from and written on the Middle East.

"The Middle East is a sentient entity – it is alive!" concludes renegade Iranian archaeologist Dr. Hamid Parsani, before disappearing under mysterious circumstances. The disordered notes he leaves behind testify to an increasingly deranged preoccupation with oil as the lubricant of historical and political narratives.

A young American woman arrives in Istanbul to meet a pseudonymous online acquaintance who never arrives. Discovering a strange manuscript in her hotel room, she follows up its cryptic clues only to discover more plot-holes, and begins to wonder whether her friend was a fictional quantity all along.

Meanwhile, as the War on Terror escalates, the US is dragged into an asymmetrical engagement with occultures whose principles are ancient, obscure, and saturated in oil. It is as if war itself is feeding upon the warmachines, leveling cities into the desert, seducing the aggressors into the dark heart of oil ...

At once a horror fiction, a work of speculative theology, an atlas of demonology, a political samizdat and a philosophic grimoire, CYCLONOPEDIA is work of theory-fiction on the Middle East, where horror is restlessly heaped upon horror. Reza Negarestani bridges the appalling vistas of contemporary world politics and the War on Terror with the archaeologies of the Middle East and the natural history of the Earth itself. CYCLONOPEDIA is a middle-eastern Odyssey, populated by archeologists, jihadis, oil smugglers, Delta Force officers, heresiarchs, corpses of ancient gods and other puppets. The journey to the Underworld begins with petroleum basins and the rotting Sun, continuing along the tentacled pipelines of oil, and at last unfolding in the desert, where monotheism meets the Earth's tarry dreams of insurrection against the Sun.

For more information on the CYCLONOPEDIA, please visit: http://www.re-press.org/content/view/58/38/

KLEBNIKOV CARNAVAL August 17-24 2008 Belgium

2008-08-23T12:17:00.001Z

There are only two days left to visit Grapes of Art and Vilt's KLEBNIKOV CARNAVAL.

Participating Artists and Writers:
Marko Niemi (Finland) - ZAUMACHINE
Didi de Paris - spoken word/performance/voordracht (B)
Herlinda Vekemans (B)
Alain Delmotte (B)
Peter Holvoet-Hanssen (B)
TOX! the new collective consisting of
Tine Moniek,(B)
Olaf Risee (NL)
Xavier Roelens (B)
Lucas Hüsgen - voordracht (NL)
Maarten Inghels - voordracht (B)
Han van der Vegt - voordracht (NL)
Dirk Vekemans - ha
Helen White (USA)
Philip Meersman - video/audio (B)
A. Andreas - Brahamian Intelligence Service - email Opera/informatieverstrekking/voordracht (NL)
Sonia Dermience (B)
Grapes of Art
Ilse Derden (B)
Arnout Camerlincks (B)
Jan Vossen (B) - painting
Angela Genusa
Christina McPhee
Sergio Basbaum
David-Baptiste Chirot (Canada)
Lanny Quarles (USA)
Johannes Gutenberg (CANADA) - prints/ vispo
Rustin Larson (USA)
Erik Rzepka
Kristen Alvanson - video (Iran- USA)
Reza Negarestani- text (Iran)
Yerna Van Den Driessche - optreden/voordracht (B)
Bert Lema - tekstueel (B)
Luc Fierens (B)
David Troch & Sylvie Marie De Koninck (o.v.) (B)
SAGE (Saskia van Herwijnen & Gerrit van Schuppen) - video (NL)
Fre Widdekind -spoken word/voordracht/(muziek) (B)
Jaan Patterson - graphics (Germany)
Moabi & Michael - dance/music (Portugal/België)
Lexicon Valley - verhalende performance beeld-geluid
JJ Pollet - studyrooms/assemblage

For more information check here.

Cabinet Magazine issue 30

2008-08-05T17:00:00.004Z

My photos of Iranian mannequins accompany Nina Power's article 'Mannequins, Manners, and Mutilation' on Mary Wollstonecraft and the mannequins of Iran in the current issue of Cabinet Magazine. Please seek out a copy. The issue also includes:

Digging up numerous items of interest, including:
- Michael Saler on the London Underground's aesthetic departures
- Sina Najafi interviews Rosalind Williams on the subterranean imagination
- Magnus Bärtås uncovers the temple of Damanhur
- Mark Wasiuta on Ant Farm's plans for missile-silo reclamation
- Alessandro Scafi on the underpinnings of Dante's Inferno
- Joshua Foer interviews Michel Siffre on his six-month sojourn in a cave

And closer to the surface:
- Nina Power on Mary Wollstonecraft and the mannequins of Tehran
- Paul La Farge on Victor Hugo's sainthood in Vietnam
- Michael Taussig on the headier influences of Walter Benjamin and William Burroughs
- Sasha Archibald on Alfred Yarbus's science of visual attention
- Moyra Davey on feeling marooned- D. Graham Burnett explores the commonplace book
- Celeste Olalquiaga on coral polyps and the politics of science
- Josiah McElheny on the curious position of Mies van der Rohe's Glass Skyscraper Project
- Allen S. Weiss on the intoxicating aspects of a Japanese guinomi
- Margaret Wertheim interviews Nancy Knowlton on the vanishing world of coral

Cabinet is on sale in the US at independent bookstores, Barnes & Noble, Tower, Borders, Hudson News, and Universal News. Also available in Canada, the UK, Germany, Belgium, Holland, Sweden, Germany, Spain, Portugal, Greece, Turkey, Singapore, New Zealand, and Japan. A partial list of retailers worldwide can be found at http://www.cabinetmagazine.org/information/wheretobuy.php

Urbanomic Studio Event for Under Pressure print exhibition

2008-07-18T07:58:00.001Z

UNDER PRESSURE
Prints by
Henri Matisse
Edward Bawden
Sara Ogilvie
Simon DaraSam
Bradbury
Kristen Alvanson
Ruth & Robin Mackay

Saturday 19th July, From 6pm at Urbanomic, Falmouth.

Urbanomic
The Old Lemonade Factory
Windsor Mews Studios
Falmouth, UK
TR11 3EX
07977 449416

Collapse Review

2008-06-15T05:08:00.000Z

Check out Reza Negarestani's review of Collapse IV on Eliminative Culinarism:

http://blog.urbanomic.com/cyclon/archives/2008/06/review_of_colla.html

Live Concept Horror Party: London June 7

2008-06-02T11:24:00.001Z

UMELEC - Magazine of the Art Dead and COLLAPSE - Journal of Philosophical Research and Development invite you to the post-launch party for Collapse Volume IV* CONCEPT HORROR

*showing original works from COLLAPSE IV by JAKE AND DINOS CHAPMAN, KEITH TILFORD, KRISTEN ALVANSON, CHINA MIEVILLE, TODOSCH, RAFANI, and more...

with live experimental grime noise from the mighty PATRICIDE [horror-customised patricide visuals will feature live+direct viditext shoutouts on 0775 4908051 - get it on speed dial now!]

on SATURDAY 7th JUNE, from 6pm (Noise begins at 8.30).

at Divus Unit 30, Shoreditch.

Unit no. 30
3rd Floor
North Entrance
37 Cremer Street
Shoreditch
London E2 8HD
10 Mins from Old St. Tube0207 7398993

International Roaming Biennial of Tehran

2008-05-29T10:29:00.000Z

I will be participating in the First International Roaming Biennial of Tehran. The exhibition which is themed 'Urban Jealousy' is curated by Amirali Ghasemi and Serhat Koksal. As the title suggests, the exhibition will be roaming with the first stop and official opening in Istanbul at Hafriyat Karakoy:

First International Roaming Biennial of Tehran
Hafriyat Karakoy
Necatibey Cad. No: 79 Karakoy Istanbul, Turkey
30th May - 6th July 2008

For more information check www.biennialtehran.com.

Azad Gallery Release on nonad

2008-05-10T10:41:00.005Z

Azad Gallery No. 41, Salmas Sq., Golha Sq. Tehran, Iran +98 21 88008676

Kristen Alvanson
nonad
May 23-28, 2008

Two nomadic fabric chadors - blue (2007) and pewter (2008)

Azad Gallery is pleased to present nonad (of nines and nomads), a solo exhibition by the Iran-based American artist Kristen Alvanson, opening Friday, May 23. In Alvanson's first Tehran exhibition, a western artist reanimates her artistic experiments with an entirely new arsenal of conceptual and material resources.

Since leaving New York, Alvanson has explored the threefold of textiles, women, and the Middle East in all its formations, anomalies, enigmas, political speculations, and aesthetic conjectures. Her new work includes nomadic fabric chador (Persian veil) sculptures, abjad-9 drawings, and an animation from her Cosmic Drapery Project.

For the exhibition, Azad Gallery is transformed into a garden of hanging folds. Nine colorful chadors are hung throughout the gallery. As viewers weave through and interact with the installation, they discover implicit sociopolitical structures of these nomadic fabric sculptures as well as their nomadic persuasions in regard to art and creativity. At 350 cm x 190 cm, each chador contains nine panels, six made of different nomadic fabrics. The rest contain black fabric, the same fabric used for traditional back chadors.

On surrounding walls, the Abjad-9 drawings suggest collective shapes vaguely reminiscent of the patterns of traditional Islamic art. Drawn in Persian ink and calligraphic pen, the drawings reveal the affect space between women in veil or chador, and the forces, folds and movements between them. These elaborately nested structures include half-elliptical shapes, the shape of a Persian veil when fully spread out. These shapes represent women in chador as seen from above.

The animation ninefold is a further visualization of these complex, subterranean relationships and spaces. Like the chadors and the Abjad-9 drawings, it is structured by the number 9, standing for the occluded relations between textiles, women, and the Middle East. In the Middle Eastern occult, nine is the number of unceasing collectivity - worlds created through the hidden bonds of spells and collective tides.

Alvanson’s ongoing Cosmic Drapery Project is an exploration of the enigma of the Middle East through its drapery. It is nurtured by the history of textiles in the Middle East. This history includes clashes and secret dialogues between state and nomad art, their folk beliefs, textiles and modes of creativity.

Alvanson's nomadic fabric chadors explore the interactions between black and nomadic fabrics. These include the differences and compatibilities between patterns, textures, and weight; explicit folding lines; and the distribution of sequins. The potentials inherent in each fabric emerge as islands of alliance or as folds of opposition between state and nomadic art in the Middle East.

Kristen Alvanson (born in 1969 in Minneapolis) lives and works in Shiraz, Iran. She attended The Cooper Union for the Advancement of Science and Art in New York and holds a degree from Sarah Lawrence College. Alvanson has exhibited in shows in both the United States and the Middle East. She will be participating in the upcoming International Roaming Biennial of Tehran. Her writing and artworks have been published in Collapse: Journal of Philosophical Research and Development, New Humanist, Frozen Tears III and will be included in an upcoming issue of Cabinet magazine.

For more information visit Alvanson's website at www.kristenalvanson.com or email Mohsen Nabizadeh of Azad Gallery at azadgallery(at)yahoo(dot)com.

Invitation for 'nonad'

2008-05-09T08:19:00.003Z

If you happen to be in Tehran on Friday, May 23, please join me for the opening of my exhibition ‘nonad’ from 4-8pm at Azad Gallery.

Azad Gallery
No. 41, Salmas Sq., Golha Sq.
Tehran, Iran
+98 21 88008676

A printable invitation is available here.

I will post more information on the show soon.

Update Collapse Volume IV: 'Concept Horror'

2008-05-08T10:13:00.001Z

Contributors to this volume include: Kristen Alvanson, Jake and Dinos Chapman, Iain Hamilton Grant, Graham Harman, Michel Houellebecq, Oleg Kulik, Thomas Ligotti, Quentin Meillassoux, China Miéville, Reza Negarestani, Benjamin Noys, Rafani, Steven Shearer, George Sieg, Eugene Thacker, Keith Tilford, Todosch, James Trafford.

Collapse IV, published as a limited edition of 1000 copies, features a series of investigations by philosophers, writers and artists into Concept Horror. Contributors address the existential, aesthetic, theological and political dimensions of horror, interrogate its peculiar affinity with philosophical thought, and uncover the horrors that may lie in wait for those who pursue rational thought beyond the bounds of the reasonable. This unique volume continues Collapse's pursuit of indisciplinary miscegenation, the wide-ranging contributions interacting to produce common themes and suggestive connections. In the process a rich and compelling case emerges for the intimate bond between horror and philosophical thought.

Collapse Volume IV will be shipping around May 15 and is available for advance purchase online.

Collapse Volume IV: Concept Horror

2008-04-01T05:30:00.003Z

An update from editor Robin Mackay on Collapse Volume IV...

We are delighted to announce that Collapse Volume IV will be published May 2008 and will soon be available for advance purchase online.

Collapse Volume IV: 'Concept Horror' is an investigation into the philosophical, existential, aesthetic, religious and political dimensions of horror. Its task is not to promote theories of horror, but to uncover the horrors that may lie in wait for those who pursue rational thought beyond the bounds of the reasonable.

The volume brings to fruition Collapse's vision of a miscegenated text in which contributions interact and produce a series of interzones or objectively-collaborative spaces. Throughout the volume many different styles of philosophical texts and graphic works intermingle, creating unanticipated connections and adding new dimensions to one another.

George Sieg's Infinite Regress into Self-Referential Horror demonstrates the simultaneously cognitive, existential and political nature of Horror, through a conceptual investigation of victimhood.

In The Shadow of a Puppet-Dance, James Trafford tracks weird fiction writer Thomas Ligotti's anticipation of the radical thesis of neurophilosopher Thomas Metzinger's book Being No-One: namely, that 'there has never been such a thing as a self'.

In Thomas Ligotti's own contribution to the volume, he takes up the work of obscure Norwegian philosopher Peter Zapffe, among others, to take an unflinching journey into the depths of nihilism...

...As a counterpoint to Ligotti's deflation of human hubris, Ukrainian Oleg Kulik, a prominent contemporary artist known for his disturbing investigations into the borders between life and death, human and animal, contributes his photographic series 'Dead Monkeys'.

Eugene Thacker's Nine Disputations on Theology and Horror gives a detailed and penetrating account of the 'teratological noosphere', discussing the ontologies of horror from Aristotle to Lovecraft.

Novelist Michel Houellebecq is well-known for his ability to evoke the horror that dwells within the banalities of contemporary life. His poems, of which a selection are translated into English here for the first time, distil his powerful vision into translucid moments of dread.

Jake Chapman, half of the notorious Brothers Grim of the British artworld, who unveil their infernal new work Fucking Hell in London next month, contributes a set of etchings created exclusively for Collapse in response to the other contributions in the volume.

Quentin Meillassoux's work is familiar to our readers. In the third of a 'trilogy' of essays published in Collapse, Spectral Dilemma, Meillassoux reveals some of the ethical consequences of his deduction of the 'necessity of contingency', through an examination of the problem of 'infinite mourning' for the dead.

Kristen Alvanson's photographs, at once repellent and fascinating, of preserved specimens of deformed and mutated animals and humans, are accompanied by a text which discusses Paré's sixteenth-century treatise which makes of taxonomy itself something monstrous.

German artist Todosch (Thorsten Schlopsnies) meticulous sketches seem to depict varieties of heterogenous slime in the process either of disintegration or coagulation...

...A perfect companion to Iain Hamilton Grant's Being and Slime. This untimely excavation of the naturephilosophische work of Lorenz Oken - according to whom the generation of the universe from a 'primal zero' corresponds to its coagulation from a 'primaeval mucus' - puts an entirely new slant on Badiou's notion of 'founding on the void'.

Benjamin Noys meditates on Lovecraft and the real, revealing that the most abyssal of Horrors is Horror Temporis.

In The Corpse Bride: Thinking with Nigredo, Reza Negarestani shows how Aristotle and Plotinus both unlock and dissimulate the ontological mechanism expressed by an unspeakable form of Etruscan torture.

A rising star, Canadian artist Steven Shearer, contributes a new series of his Poems - striking graphical pieces created through a manipulation of the nihilistic and extreme titles and lyrics of death-metal bands.

China Miéville, better known for his bestselling weird fiction novels, writes on M.R.James and the Quantum Vampire, introducing us to a new fearsome creature from his arsenal, the Skulltopus!

Czech art collective Rafani present their cycle Czech Forest, an adaptation of folk-tale imagery which presents a very modern tale of warcrime and revenge from the end of WWII.

Graham Harman returns to Collapse with On the Horror of Phenomenology: Lovecraft and Husserl. In a polemical defence of 'weird realism', Harman demonstrates that philosophical thought has more in common with weird and horror fiction than it might like to admit...

...Singular Agitations and a Common Vertigo, Keith Tilford's series of images, deftly disintegrated objects with more than a hint of 'pulp', anticipate and shadow Harman's invocation of the weird inner life of objects.

Collapse Volume IV // Ed. R. Mackay // May 2008 // 400pp[TBC] // ISBN 978-0-9553087-3-4 // £9.99

Order here: http://blog.urbanomic.com/urbanomic/

blocks of pest

2008-03-23T15:03:00.000Z

The back of a diagram for Lessons in Schizophrenia.

For more information on my forthcoming book check here: http://www.kristenalvanson.com/new/LIS.html

Maskh Project

2008-03-05T17:41:00.003Z

The Maskh Project has been abstractly created after the forgotten art of Talisman-forging in the Middle East particularly Iran. Middle Eastern talismans are forged in the form of diagrammatic bodies whose true figurative ideas are stripped down to their minimal abstract components – numbers as body parts, letter curvatures as fiendish fauna, geometric elements as skeletal frames and alpha-numeric convolutions or miniature ciphers as elementary particles of the world surrounding the figures. Each talisman or spell-diagram casts a particular spell and by doing so effectuates a metamorphosis or possession. Middle Eastern talismans present the idea of metamorphosis through the realm of in-between, between the figurative and its numero-diagrammatic double.

For more information and new images, please check my website: http://www.kristenalvanson.com/new/maskh.html

dESIRE Update

2008-03-04T12:45:00.001Z

In line with demand and current inflation, the price of one unit of desires has been increased from $100 to $125 (date of increase - March 2008). There is still time to buy a unit at a low price. Be a participant in the exploration of the economy of intangible art and desire. Buy a unit now and let's see what happens over time.

For more information, please check here: http://www.kristenalvanson.com/new/market.html

RE: FIGURING MEMORY

2007-12-31T05:09:00.000Z

An essay by A. Gargett on my works created while in New York...

RE: FIGURING MEMORY – THE ART OF KRISTEN ALVANSON
_ A. Gargett

“I look at you and think of the evening I first met you, and you’re not that person anymore. I mean, the elements are the same, but you’re different. Look at me right now.” Christy lifted her long arms right up in the air, still holding the dripping spoon, asking me to take in all of her. “I will never be this person again. When we walkout of here today – when tomorrow morning comes – I will be somebody else, not exactly the same as I am right now. Maybe that’s all dying is.” Ethan Hawke – Ash Wednesday

Quirky, yes. Offbeat, certainly; but more than that, with its mixture of media and its oblique take on the very act of being an artwork, the paintings of Kristen Alvanson imply that their creator’s vision is wrested from the world rather than being at home within it. In an era when so much art strives for the ready-made statement – in reality provoked by the times but seeking nonetheless to be provocative of them – Alvanson’s work remains carefully stated. The working is always shown; an art of passion in which the terror of – and desire for – abandonment, is expressed with consummate cool.

Alvanson’s art is an art of presences and resonances, acts and allusions. Perhaps it is viable to start with memory. With memories that are positioned before our eyes. What here has been remembered? How does the painting work to remember? It is not that these paintings simply turn around the interaction of memory, histories and representation, it is more accurately, that these themes present what comes to be framed within the paintings as their own apposite topos; and within that topos, their presence is intricate and complex. At work within the field of the painting they source the paintings with their work. What this means is that the paintings draw on and develop the resources that inhere in memory, history and representation. The specificity of their work, however, is connected to what occurs when these elements are themselves put to work. In this, their supposed determinations – the already given particularity of memory, history and representation – no longer control, and even though these elements need to be understood as encompassing, and enacting, the material presence of tradition, what is enacted takes the form of an active questioning rather than a painterly or interpretative “fait accompli”. It is that their movement into work is traversed by a questioning of memory, history and representation. This questioning comes to be at work in the frame and thereby forms an integral part of the work’s work. This questioning is no mere idle speculation; it is rather a questioning that, once acknowledged, forms a resolute part of the present.

dESIRE for Sale

2007-12-05T11:44:00.000Z

dESIRE #005000

As part of the dESIRE Project I am both capturing and selling my dESIRES.

dESIRES are sold in units (1 unit equals 100 consecutive desires). Individual units are recorded in the following way: dESIRE 000001-000100, dESIRE 000101-000200, dESIRE 002201-002300 or dESIRE 005401-005500, for example.

For each unit the purchaser is buying 100 of my intangible dESIRES as well as the 100 color photographic representations of these dESIRES. The photographic representations will be included on one CD-Rom Disk. Each unit is unique and includes original intangible desires and original color photographic representations, therefore, the unit will not be duplicated or sold as copies.

Current Market Value of 1 Unit of dESIRE = USD $100. Order Now because the price of a Unit of dESIRE is about to increase.

For more information and to order check the desire section of my website: http://www.kristenalvanson.com/new/market.html

2007-12-05T11:08:00.000Z

updated del.icio.us tags

Adela Jones Alain Badiou Alex Fradkin Anders Weberg anti-copyright Archaeology Architecture Archive Art Artaud Avant-garde Blog CA Carey Young Cinema Curating Decay Deleuze Desire Drapery Dublin Eric Alliez EXHIBITION link.of.thought Fabric Fictional Authors Fractal Ontology France Frozen Tears Gallery Garrett Phelan Gean Moreno Germany Graffiti Graham Harman Gregor Schneider Hyperstition Iain Hamilton Grant Immaterial Independent Installation Jo-Anne Balcaen Joachim Schmid John Russell Journal Juliet Jacobson LA Legal Contract Les LeVeque Machine Magazine Mark Wallinger Mary-Anne Breeze Matthew Buckingham Mehrdad Iravanian mezangelle Michel Serres Minimalism Narration Nathaniel Mellors Network Past Present Future Now Philosophy Photography Poetics Politics Post-continental Projected Personae Pseudonyms Quentin Meillassoux Rachel Rampleman Ray Brassier Reza Negarestani Robin Mackay Romain Meffre Régine Debatty Schizophrenia Sephen Gill Sex Spacepolitics Spain Spielhaus Morrison Sweden TEXTural Theory Thomas Duzer Time Trinie Dalton Turner Prize UK Urbanomic Vermin video installation Weizman Yves Marchand

Garden of Spellbinding Paths

2007-10-11T09:48:00.000Z

'Unknown Deleuze': COLLAPSE Volume III

2007-09-22T07:11:00.000Z

'Unknown Deleuze' – COLLAPSE Volume III will be published in mid-October and is now available for advance purchase online at http://www.urbanomic.com/order.php

A note from editor Robin Mackay: Collapse Volume III: 'Unknown Deleuze' contains explorations of the work of Gilles Deleuze by pioneering thinkers in the fields of philosophy, aesthetics, music and architecture. In addition, we publish in this volume two previously untranslated texts by Deleuze himself, along with a fascinating piece of vintage science fiction from one of his more obscure influences. Finally, as an annex to Collapse Volume II, we also include a full transcription of the conference on 'Speculative Realism' held in London earlier this year.

Whilst books continue to appear at an alarming rate which claim to put Deleuze's thought 'to work' in diverse areas outside of philosophy, we submit, in this volume, that his philosophical thought itself still remains enigmatic, both in its detail and in its major themes. The contributors to this volume aim to clarify, from a variety of perspectives, Deleuze's contribution to philosophy: in what does his philosophical originality lie; what does he appropriate from other philosophers and how does he transform it? And how can the apparently disparate threads of his work to be 'integrated' – what is the precise nature of the constellation of the aesthetic, the conceptual and the political proposed by Gilles Deleuze, and what are the overarching problems in which the numerous philosophical concepts 'signed Deleuze' converge?

The volume includes two newly-translated articles by Gilles Deleuze along with contributions from Arnaud Villani, Thomas Duzer, Quentin Meillassoux, John Sellars, Éric Alliez & Jean-Claude Bonne, Haswell & Hecker, Robin Mackay, Mehrdad Iravanian, J.-H. Rosny the Elder, Graham Harman, Iain Hamilton Grant and Ray Brassier.

COLLAPSE Volume III
October 2007.
Paperback 115x175mm 515pp (TBC)
Limited Edition of 1000 numbered copies.
ISBN 0-9553087-2-0

THOMAS DUZER
In Memoriam: Gilles Deleuze 1925-1995
GILLES DELEUZE
Responses to a Series of Questions
ARNAUD VILLANI
'I Feel I Am A Pure Metaphysician': The Consequences of Deleuze's Remark
QUENTIN MEILLASSOUX
Subtraction and Contraction: Deleuze, Immanence and Matter and Memory
HASWELL & HECKER
Blackest Ever Black
GILLES DELEUZE
Mathesis, Science and Philosophy
JOHN SELLARS
The Truth about Chronos and Aîon
ÉRIC ALLIEZ & JOHN-CLAUDE BONNE
Matisse-Thought and the Strict Ordering of Fauvism
MEHRDAD IRAVANIAN
Unknown Deleuze
J.-H. ROSNY THE ELDER
Another World
RAY BRASSIER, IAIN HAMILTON GRANT, GRAHAM HARMAN, QUENTIN MEILLASSOUX
Speculative Realism

2007-07-25T09:44:00.000Z

dESIRE #004000

In an effort to continue the exploration of desire (commerce, customer dynamics, propagation of desire), my dESIRES are now available for sale online. For more information about the dESIRE Project check the following: http://www.kristenalvanson.com/new/market.html

The Art of Nothing: Immateriality and Intangible Art (PDF to read on medieval studies, intangible art and modern law)

Update: Fozen Tears 3 New York City Book Launch

2007-06-18T10:49:00.000Z

DEXTER SINISTER VS. FROZEN TEARS III

Launch of John Russell's FROZEN TEARS III – THE TRINITY

Thursday, June 21, 2007
A two-part event:
7.30-9pm installation and book launch
at Dexter Sinister
38 Ludlow St. (at Hester St.)

9-11pm performances/readings
organized by Mark Beasley for Creative Time
205 Club
205 Chrystie St. (at Stanton St.)

INCLUDING READINGS/PERFORMANCE BY:
HILLARY RAPHAEL
GENESIS P ORRIDGE
TRINIE DALTON
ILANA HALPERIN
ROXY PAINE
MARK HARRIS

Book published by Article Press; see http://www.frozentears.co.uk
With support from the British Council

More about Dexter Sinister: http://www.dextersinister.org

Vs. is an ongoing monthly series curated by Creative Time at 205 Club.

Book Launch Parties for John Russell’s anthology Frozen Tears III

2007-05-24T06:07:00.000Z

The third volume in the Frozen Tears series presented by John Russell is launching soon, over 900 pages of cutting-edge works by writers and artists including:

Dennis Cooper, Damien Hirst, Stewart Home, Stephen Barber, Paul Buck, Jesse Bransford, Kristen Alvanson, CCRU/Orphan Drift, Reza Negarestani, John Cussans, Patricia McCormack, Enrico David, Andrea Mason, Hillary Raphael, D. Harlan Wilson, Lorenzo De Los Angeles III, Kevin Killian, Cedar Lewisohn, Casey McKinney, Neil Mulholland, Paul Noble, Kenji Siratori, John Espinosa, Jeffrey Vallance and more...

If you happen to be in LONDON, NEW YORK, SAN FRANCISO or DEATH VALLEY(?) don’t miss these book happenings...

LONDON: Thursday May 31st 7-9pm - at Koenig Books, 80 Charing Cross Road – readings/performances by Paul Buck, NO BRA, Stewart Home, Cedar Lewisohn and Andrea Mason.

NEW YORK: 21 June - starting with launch at Dexter Sinister bookshop (38 Ludlow Street) - then moving to the 205 Bar on Lower East Side where Frozen Tears III will be the focus of the first of a series of new monthly events called ‘Vs’ curated by Mark Beasley for Creative Time - http://www.creativetime.org.

SAN FRANCISCO: July (date tba) at SF Camerawork - with readings/performances by Donal Mosher and Kevin Killian.

DEATH VALLEY: tba

For more information visit: http://www.frozentears.co.uk/

Immaterial Art and Treasures of Indulgences

2007-05-17T11:29:00.000Z

SPACE (Juraj Carny, Diana Majdakova and Lydia Pribisova) and Cesare Pietroiusti have created Evolution de l’Art, a gallery for contemporary art which only sells artworks that are immaterial, with no physical residue, and it does not release certificates of authenticity, nor statements or receipts. Evolution de l’Art is representing, on a non-exclusive basis, artists whose artwork is, at least in the case of some specific projects, alien from any physical-material component. There are no other limitations or requisites for represented artists in terms of medium or technique. Purchases can be made at the headquarters of the gallery (Lazaretska 9, Bratislava) or through their website.

The immaterial art I have created to date has included receipts of sorts (dESIRE) and certificates (Dreams) to document the art. So I was interested in the fact that Evolution de l’Art decided not to include a physical ‘item’ associated with the sale of an intangible piece of art. I thought I’d like to create something for the gallery, so I decided to offer my 'Days in Iran for Sale' at $100 per day.

The idea of immaterial art is identical to the medieval history of the Catholic Church and Christian papal theology in regard to indulgences. It was only during this time that Johann Tetzel, the father of intangible art, could embed his outlandish artistic projects with the abstruse foundations of Christian theology and reading of scriptures. Pieces of lands from heaven and post-mortem years of purgatory were sold, documented with the names of buyers and systematically archived. This is this highest state of intangible art – trading and investing in the celestial dominions. Since in Catholic theology the human is a reeking infinity of sins and heaven is a boundless piece of land, the potentiality of artistic creativities of such intangible trades is limitless.

Check the gallery website for more information: Evolution de l’Art

2007-05-02T13:58:00.000Z

Adding to the Mental Contagion

Mental Contagion is an arts and literature Internet magazine published on a monthly basis fittingly named after Exquisite Corpse— "Le cadavre exquis boira le vin nouveau” — a technique developed during the surrealist movement and is based on a parlor game. Seeing only a small segment of what a previous person draws, collaborators add to a composition in progress to create a strange and often ridiculous image. Preceding these visual "mash-ups" or what some have referred to as "intellectual MadLIbs" was a literary technique, prompting each contributor to add a phrase, seeing only a segment of the previous phrase. Surrealist poet and art historian Nicolas Calas said that the completed work revealed the "unconscious reality in the personality of the group." Often, similar themes and images would appear in the completed compositions, and this is what visual artist Max Ernst referred to as a "Mental Contagion.”

For my addition to mix, you can see May’s issue where they have featured my work in the Exhibitionist section

http://www.mentalcontagion.com/index.html

2007-04-24T04:25:00.000Z

dESIRE #003000

http://www.kristenalvanson.com/new/desire.html

2007-04-23T05:49:00.000Z

Reza Negarestani Seminars in London

MACHINES ARE DIGGING: ON POROUS EARTH AND EMERGENCE

and

UNDERCOVER SOFTNESS: POLITICS AND ARCHITECTURE OF DECAY

for more information check here http://blog.urbanomic.com/cyclon/

2007-03-01T08:34:00.000Z

KRISTEN ALVANSON WEBSITE ANNOUNCEMENT
www.kristenalvanson.com

The interactions of things, the undulation of entities in the space, the art of stitching events together, or in a word, cosmogenesis of all kinds requires abundant sewing work and notions artistry.

American Artist Kristen Alvanson, who relocated to Iran in 2006, has created a new website Artistry of Notions and Cosmic Drapery highlighting her current projects including Middle Eastern focused Maskh Project, Graveyards and Lumpen Orientalism as well as a section on the artist’s forthcoming book entitled ‘Lessons in Schizophrenia’ and her dESIRE Project.

Maskh Project – the connotation of the word maskh in Farsi is more than metamorphosis; it includes experiencing limits of one’s identity or existence usually with the assistance of new independent vehicles of material and abstract articulation, as in the case of spirit possession. Maskh project is a visual compendium of drawings diagramming Alvanson’s metamorphoses in the Middle East in the form of spells and maps.

Graveyards project as a psycho-geographic exploration of Middle Eastern graveyards, entombments and post-mortem spaces escapes necromanticism or fascination with ruins by illustrating the cognition and encounters with space and time – and consequently the twofold of dwelling and thinking – in the Middle East.

Lumpen Orientalism gathers the fragments of a lost civilization, the decaying parts of a once breathing animal. Named after a term suggested by China Miéville, Lumpen Orientalism is a photo-blog engendering an anomalous fascination with the Middle East in a similar way to the mongrel techniques of Gilles Deleuze, H. P. Lovecraft, Gaëtan Clérambault and William Beckford for tackling this enigmatic monstrosity – the Middle East.

Lessons in Schizophrenia is the artist’s forthcoming book, based on real events which led her to leave the US for the Middle East in a cataclysmic process. It includes an introduction by the Iranian Philosopher Reza Negarestani entitled Epithemic.

The dESIRE Project is an ongoing investigation on desire which includes artistic components; it is an attempt to reach concrete but not necessarily corporeal definitions of desire by tapping into its obscure formations. dESIRE Project is intertwined with the mathematics of natural numbers, countability / uncountability, pimp as a nomadic dissipater, stock market, legal contracts, intangibility and expendability of desires. Alvanson’s dESIRES, both intangible and their photographic representations, are for sale on the Market section of her website.

Visit the website here: www.kristenalvanson.com.

COLLAPSE Volume II

2007-02-11T09:04:00.000Z

Collapse II will be published at the beginning of March 2007. I have contributed a photo/diagrammatic essay on Middle Eastern graveyards to this issue. Please see Urbanomic's announcement below for more information on the other contributors and on how to order a copy of the journal.

Dear Friends,

We are pleased to announce that COLLAPSE Volume II will be published at the beginning of March 2007.

The second volume of Collapse resumes the construction of a conceptual space unbounded by any disciplinary constraints, comprising subjects from probability theory to theology, from quantum theory to neuroscience, from astrophysics to necrology, and involving them in unforeseen and productive syntheses.

Collapse Volume II features a selection of speculative essays by some of the foremost young philosophers at work today, together with new work from artists and cinéastes, and searching interviews with leading scientists. Against the tide of institutional balkanisation and specialisation, this volume testifies to a defiant reanimation of the most radical philosophical problematics – the status of the scientific object, metaphysics and its 'end', the prospects for a revival of speculative realism, the possibility of phenomenology, transcendence and the divine, the nature of causation, the necessity of contingency – both through a fresh reappropriation of the philosophical tradition and through an openness to its outside. The breadth of philosophical thought in this volume is matched by the surprising and revealing thematic connections that emerge between the philosophers and scientists who have contributed.

• Ray Brassier (Middlesex University, author of the forthcoming Nihil Unbound: Enlightenment and Extinction) gives the first full-length exposition and critical examination in English of Quentin Meillassoux's important book Après la Finitude, which mounts a radical critique of post-Kantian philosophy on the basis of its inability to account for the literal meaning of scientific statements concerning 'arche-fossils' existing anterior to the possibility of their phenomenal manifestation.
• Building upon his thesis in Après la Finitude, Quentin Meillassoux (ENS, Paris) proposes a reprisal of Hume's problem of causation from a radical ontological perspective. By affirming the absolute contingency of natural laws, Meillassoux argues for a revival of a realistic metaphysics which he calls ‘speculative materialism’ and brings to light a powerful new ontological concept of time.
• In an extended interview, Roberto Trotta (theoretical cosmologist, Lockyer Research Fellow of the Royal Astronomical Society at the Astrophysics Department at Oxford University) describes in detail his work as a scientist engaged in surveying the 'arche-fossil', and discusses the ways in which the cross-disciplinary nature of the search for dark matter – an intense collaborative endeavour involving mathematics, astrophysics, theoretical modelling and statistics – anticipates the problematic status of its objects. The interview reveals how the process of determination of this field of research on the ‘outer edge’ of science, bounded equally by technological, probabilistic and logical constraints, raises questions as to the status of scientific thought and problematises its very conceptual foundations, thus emphasising its continuities with traditionally ‘philosophical’ concerns.
• In 'On Vicarious Causation' Graham Harman (American University in Cairo; author of Tool-Being and Guerilla Metaphysics) puts forward a new realist 'object-oriented' metaphysics which, refusing the primacy of human experience and in defiance of post-Kantian ‘philosophies of access’, seeks to speak for the abyssal depths of 'the objects themselves'.
• In an interview with Paul Churchland (U.Cal, San Diego) the brilliantly iconoclastic philosopher of mind and science reiterates his commitment to eliminative materialism, exploring its broad consequences for science and philosophy, and remarking key research outcomes and philosophical problems which have influenced its development.
• Clémentine Duzer & Laura Gozlan present a series of stills taken from their film Nevertheless Empire, an expressionist science-fiction noir of pestilence, biopolitics and desire.
• Artist Kristen Alvanson's photo/diagrammatic essay on the ontotheology of the Middle-Eastern graveyard examines what differences in burial practices propose as to the philosophical thinking of space and of dwelling and examines the consequences for our image of thought.
• In a continuation of his unrivalled radical questioning of the ultimate bases of the 'clash of civilisations', Reza Negarestani details, through a searching analysis of Islamic and Western theologies, how the absolute exteriority of Allah in Islam results in a particular conception of temporality, different vectors for the propagation of faith, and an immanent apocalypse which cannot be reduced to a chronological moment or a possibility of unification.

Order or subscribe at :
http://www.urbanomic.com/order.php

COLLAPSE Volume II
Edited by Robin Mackay
March 2007.
Paperback 115x175mm 330pp
Limited Edition of 1000 numbered copies.
ISBN 0-9553087-1-2

RAY BRASSIER
The Enigma of Realism
QUENTIN MEILLASSOUX
Potentiality and Virtuality
ROBERTO TROTTA
Dark Matter: Facing the Arche-Fossil (Interview)
GRAHAM HARMAN
On Vicarious Causation
PAUL CHURCHLAND
Demons Get Out! (Interview)
CLÉMENTINE DUZER & LAURA GOZLAN
Nevertheless Empire
REZA NEGARESTANI
Islamic Exotericism: Apocalypse in the Wake of Refractory Impossibility
KRISTEN ALVANSON
Elysian Space in the Middle East

Forthcoming Issues: Concept-Horror; Unknown Deleuze; Geophilosophy.

COLLAPSE is now available in the following fine bookstores: Vrin, Paris; ICA (Institute of Contemporary Arts) bookshop, London; Tate Modern bookshop, London; QI, Oxford; Blackwell, Oxford; Nikos Books (11th & 6th) and St. Mark's, New York; Floating World Comics, Portland OR; Gleebooks, Sydney, Australia.

yours,

Robin Mackay
(Editor)

http://www.urbanomic.com

The Bastardization of Dream

2006-12-29T11:21:00.000Z

John Haber interviewed me for his Art Reviews website haberarts.com.

The interview can be found here The Bastardization of Dream.

Lumpen Orientalism

2006-12-09T08:38:00.000Z

My new blog Lumpen Orientalism is now up.

Frozen Tears III

2006-09-27T11:58:00.000Z

John Russell has just announced Frozen Tears III will be available in November 2006.

I have a series of drawings which make up a visual narration entitled Maskh (Metamorphosis in Farsi) in the book.

Frozen Tears can be visited at www.frozentears.co.uk

COLLAPSE

2006-09-25T11:48:00.000Z

COLLAPSE : Journal of Philosophical Research and Development

The first issue of Collapse is out Now including articles from Reza Negarestani and Nick Land. See Urbanomic's notice below or check Urbanomic’s website for more information.

Dear Friends

We are pleased to announce that COLLAPSE VOLUME I has gone to press and will be shipping before the end of this month. You can subscribe or pre-order a copy of Volume I on the Urbanomic website now.

COLLAPSE Volume I
September 2006.
Paperback 115×175mm 288pp.
Limited Edition of 1000 numbered copies.
ISBN 0-9553087-0-4
Price £5/€8/$10

COLLAPSE is an unprecedented conjuncture of work by leading practitioners in diverse fields. Conceived as a carefully-compiled, compendious miscellany, grimoire or as an instruction manual without referent, as a delirious carnival of sobriety, COLLAPSE operates its war against good sense not through romantic flight but through the formal insanity secreted in the depths of the rational (‘the rational is not reasonable’).

It aims to force unforeseen conjunctions, singular correspondences, and cross-fertilisations; to diagram abstract sensations as yet unnamed.

The journal COLLAPSE exists as the explosive, perhaps fragmentary, product of the passion for thought, unrestrained by any thematic or formal constraint, any justificatory relation to any agency whatsoever.

Contents of volume I:
ALAIN BADIOU
‘Philosophy, Sciences, Mathematics’ (Interview)
GREGORY CHAITIN
‘Epistemology as Information Theory’
REZA NEGARESTANI
‘The Militarization of Peace’
MATTHEW WATKINS
‘Prime Evolution (Interview)’
‘INCOGNITUM’
‘Introduction to ABJAD’
NICK BOSTROM
‘Existential Risk (Interview)
THOMAS DUZER
‘On the Mathematics of Intensity’
KEITH TILFORD
‘Crowds’
NICK LAND
‘Qabbala 101’

2006-09-24T09:25:00.000Z

Mewsing

I will be using Mewsing to share news regarding art and writing projects or anything of interest. I also plan to highlight mentionable projects and news of friends and colleagues.

Kristenalvanson.com is currently being revised; once it is complete my intention is to continue using Mewsing for news updates.